Honey, I ran over my guitar!

I recently got an e-mail from a good customer that was very worried about saving his guitar after backing over it with the family van! OUCH!

He stated that he had forgotten about setting it down after removing it from the back. Fortunately, it was in a hardshell case when this happened.

(Photo staged for dramatic effect!)

broken guitar cracked

Crunch!


The case had definitely done its job and was destroyed beyond repair. The guitar had its share of bumps and bruises, including top and side separation, missing chunks of wood from the side and binding damage.
side crack delaminate

Laminated sides can get a bit messy


binding

Binding separated and shifted from its track



After manipulating things back into place and gluing the top and sides back together, I was able to get the binding back in place and repair its distorted state back in to form. A bit of wood filler was required where the laminated sides had lost a chunk, but I was able to match the original color and feather in the lacquer finish around the repair area, quite nicely.

Guild D-1E

This was a happy ending to a story that had a very scary start. Brad was very happy with the results and is shopping for a new hardshell case, I’m sure!

As The Years Come Flaking Off

One of my favorite things to do is the cleaning and restoring of vintage guitars. It comes from years of working at Guitar Maniacs with my dear friend: Rick King. This is where my repair business started, in 1993, and grew into what it was, when I took it home in 2000. I am forever grateful for those years of being exposed to so many amazing guitars. I was able to develop techniques that would otherwise be unknown, due to the shear amount of opportunities to develop them. So…when I received a call from another dear brother: Frank, I was elated! He set up the story by saying ” So, this older gentleman comes up to me at church and says…” (This is always a great start to a guitar story.)”I’ve really enjoyed listening to you play guitar and I’ve been thinking about getting back to playing my ol’ guitar” (“my ol’ guitar” can mean a number of things from trash to treasure) but, this time it was pure (neglected) treasure…

1957 Gibson ES-350 Guitar

1957 Gibson ES-350 Guitar

This 1957 Gibson ES-350TD had been in this man’s possession since about 1960 and had been sitting in this lonely (but really cool) brown case for the last couple of decades. It was dirty, out of adjustment, very corroded and downright unplayable.  Frank told him about my services and soon, it was in my shop for the full treatment.

I offer a complete cleaning that includes dismantling, detailing, reassembly and full set-up package for $150.00. It also provides the owner with a document that authenticates the guitar and provides an “Opinion of Value” This is very helpful for insurance policies too.

We’re still looking for a couple of missing parts that have been misplaced over the years, but this one really came out stunning!

1957 Gibson ES-350TD

This is the first year for the famous Gibson “PATENT APPLIED FOR” or “PAF” humbucking pickups. Who can tell me what’s unique about the one’s in this model?

Unique PAF Pickups

These frets were a both green and gray from years of corrosion. They came out like new!

Shiny!

This is one beautiful guitar:

logo tailpiece

early "non-retainer" ABR-1 Tune-O-Matic bridge

Classic Gibson headstock styling

If you have any of these old amber switch tips, don’t throw ‘em out. They’re quite valuable.

original amber switch tip circa 1950's

These are the same knobs you would find on a Les Paul Standard “Burst”

late 50's style "bonnet" knobs

worn gold plating

hand written orange label

Needless to say, this guitar now sounds and plays amazingly well. Frank has been able to test drive it a few times, for his new friend, and has become quite attached. Can you blame him?!

Roll Over Beethoven!

Wow! I’m a columnist.

What lurks inside the pages of Christian Musician Magazine?

Christian Musician Magazine

From this issue forward…

Christian Musician Magazine

JAN/FEB 2010

Its my new column: “Ask Joe”

Christian Musician Magazine

I’m so proud to be a part of this informative magazine. I have been a subscriber for years and it is full of helpful information for all  facets of the musician’s challenges, as well as great gear and artist/album reviews.

The column is a Q & A format, so anything goes, from technical and repair questions to performance and recording rigs. Check out their website: www.christianmusician.com if you’re interested in a subscription. See you there!

Vintage Gibson Fix

Here’s a cool product I recently found very helpful for vintage Gibson acoustic guitars with the adjustable bridge. These guitars originally came with either a wooden saddle (one of Gibson’s brilliant ideas, from the 60′s) or ceramic. I much prefer the sound of the ceramic version, because it gives a brighter sound, much like a traditional bone saddle, and it doesn’t wear as easily as the wood version. Unfortunately, finding and purchasing a vintage ceramic replacement can be very difficult and quite pricey. I’ve seen people ask way too much for these. Some owners choose to completely remove the adjustable bridge system, fill in the entire original slot with rosewood and install a stable saddle in its place. I’ve never been a fan of doing this to otherwise perfectly original instruments. I’m very opinionated about being good stewards of vintage instruments.

GIBSON WOOD SADDLE circa 1960's

GIBSON CERAMIC SADDLE circa 1960's

Recently, my good friend Bruce brought in a 1968 Gibson B-45 12 String (see 1st photo) for a fret re-crown. He was excited to have newly acquired this cool old Gibson, but because this guitar also has a trapeze tailpiece, instead of bridge pins, to secure the strings, the sound was quite dull, combined with the wood saddle. Imagine the disappointment. Enter new product…

Graph Tech "TUSQ" replacement for Gibson adjustable bridge

The folks at Graph Tech; mostly famous for graphite replacement saddles for electric guitars and “TUSQ” material for acoustic guitars, have created a great alternative to the pricey, and elusive, ceramic saddle. It is made with their “TUSQ” material and costs only $12.95. We went with it and the results are quite impressive. I am now keeping them in stock, so let me know if you need one installed!

1968 Gibson B-45 12 String with "TUSQ" replacement saddle

Out Of The Box

Here’s a cool solution to a common problem.  My good buddy Doug needed a 5 string bass with an active circuit. Problem: December is a tough month to be investing in an expensive bass, but his need was immediate. The solution: we found an inexpensive bass with lacking electronics and performed an upgrade. Doug has always been fond of Lakland basses with the pickup configuration of a Music Man Stingray style pickup in the bridge position and  Fender Jazz Bass pickup in the neck position. So we started with this OLP brand passive version of a Stingray 5 String and gutted everything but the bridge pickup. Then the fun began. I carefully located and traced where I wanted the new neck pickup to go.

Then I routed the body and installed a compatible neck pickup. In this case the best match was a Fender Standard Jazz Bass 4-string pickup. The pole pieces easily covered the width of the 5 string’s span.  I followed up with a 3-band active EQ circuit and a coil tap switch for the bridge pickup, allowing for the standard Jazz Bass configuration of 2 single coil pickups.

Lastly, I removed the soft plastic nut and replaced it with a hand-carved bone nut. After a full set-up package and a new set of strings it was time to plug in!

I must say that both Doug and I were more than surprised by the results. This configuration proved to be very versatile and useful.  He called me the next day to say that it was the best sounding bass he’s ever owned. Doug has owned some pretty high-end basses in the past, so this is really saying something. This whole project cost less than $600, including the bass! It was a huge success!

} Byrd Guitars {

I thought it would be fun to share something very unique with you.  James Byrd is an incredible musician and guitar designer who approached me a few years back, to build his Super Avianti model guitars.  They are James’ masterpiece design that employ a very unique combination of features, inspired by some of his favorite guitar models. Features include: patented headstock design, off-set “V” body style and Strat type pickups and bridge.  Let me tell you, these are very, very special guitars and I am proud to have had the privilege of building the last 20, or so.  Here are some photos of the latest one.  You can read more at the Byrd Guitars website.

Dream Guitar

Thinking about a Custom Guitar?  I build “Custom Shop” quality, “F” style guitars.  I just finished a “T” Style guitar for a great customer and it really sings!  It is a replica of an early 60′s model, finished in authentic Shoreline Gold Nitrocellulose Lacquer. Everything is hand picked to your liking, including neck profile, pickups, body/neck material, color, fret size, etc. Personally, I love making them just how the vintage originals were made, with all the details in mind. Lets talk about what your dream is and start making it happen!

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